June 6, 2012
“We are living through times where evil has manifested itself with an almost revelation-like obtrusiveness and power. We have learned to understand the medieval legends about monks who, being vouchsafed a glimpse into hell, would never smile or speak again. The apocalyptic beast let loose has become a reality to our generation, and nobody knows what is still ahead of us.” – R. J. Zwi Werblowsky. “Lucifer and Prometheus: A Study of Milton’s Satan.” 1952. Routledge & Kegan Paul Ltd: London. Preface.
“Katharsis: thus the Greeks called the state of mind produced by the spectacle of the tragedy, the stillness of heart in which compassion and fear have been dissolved, the purification of the soul which springs from having grasped a deeper meaning in things; which creates a grave and new preparedness for acts of duty and the acceptance of fate; which breaks the hybris as it was seen to be broken in the tragedy; which liberates from the violent passions of life and leads the soul to peace.
For the spiritual clarification which our time needs, a newaskesis will be necessary. The bearers of a purified culture will have to be like those waking in an early dawn. They will have to shake off evil dreams. The dream of their soul which grew up out of the mud and would sink back into it. The dream of their brain which was but steel wire and their heart of glass. The dream of their hands growing into claws and the tusks between their lips. They will have to remind themselves that man can will himself not to be an animal.
The new askesis will not be one of renunciation of the world for heavenly bliss; it will be one of self-domination and tempered appraisal of power and pleasure. The exaltation of life will have to be toned down a little. One will have to remember how Plato already described the occupation of the wise man as a preparation for death. A steady orientation of the life-consciousness on death heightens the proper use of life itself.” – Johan Huizinga. “In The Shadow of Tomorrow.” 1936. W.W. Norton & Company, Inc. New York. Chapter 21.
The much-anticipated film about the fake Osama bin Laden raid, due out in December 2012, will be called, “Zero Dark Thirty.”
The black op Hollywood project will center around the “official” last days of the U.S. government patsy, Osama bin Laden. The propaganda aim of this project is twofold: 1) indoctrinate the world once more about the heroism of the American Empire and the American president, 2) connect a dramatic and meaningful story to the big lie that Bin Laden was killed by U.S. Navy SEALs on the order of Obama in his compound in Pakistan near a Pakistani military base.
Undoubtedly, the mythic portrayal of Osama’s life and death will be taken to a higher level. The Bin Laden legend will get the Hollywood treatment.
I. The Peak of Political Propaganda
“Joseph Goebbels: [Speech during the Reich Party Conference] May the bright flame of enthusiasm never be extinguished. It alone gives light and warmth to the creative art of modern political propaganda. This art rose from the depths of the people and in order to search out its roots and locate its power, it must always return to these depths. It may be alright to possess power based upon guns, it is however better and more gratifying to win and also to champion the hearts of the people.” – Triumph of the Will (1935). Director: Leni Riefenstahl.
Joseph Goebbels, Hitler’s chief propagandist, did die on May 1. His mastery of propaganda pales in comparison to the propagandists in Hollywood, Washington, New York, London, and Tel Aviv. The Nazis were amateur.
We are living in the age of peak propaganda. The 9/11 black op was the most powerful propaganda event in human history. The official announcement of Osama’s death by President Obama on the night of May 1, 2011, was another major propaganda event.
But the global public consensus around the false flag 9/11 events has crumbled. Read “A Collapsing Mythology: The Death of The 9/11 Myth And War on Terror Consensus,” for more commentary on this historic development.
II. Faces Tell All The Story
In the ancient world, words spoken by kings moved warriors. In the modern world, images circulated by the press moves masses. Osama was an image, and so is Obama. And the story these images tell is not the real one.
Osama was not the Villain that injured America on 9/11, and Obama is not the Savior who restored America to greatness simply by becoming president. Obama lied when he said he killed Osama, a known CIA double agent who was never charged by the FBI for 9/11. The only thing Obama has personally killed while in the White House is a fly. Obama is no more a warrior than Mother Teresa. The sacred word of warrior should never ever be used to describe him, or any politician.
III. Hunting The Already Dead Before Dawn
The story that filmmakers should tell is not the Osama Bin Laden raid, but the CIA’s beef with reality. That story is so much more interesting and extraordinary because it is true. The Obama-Osama drama is a fake sideshow.
The day will come when the U.S. government’s myths will shatter. The same propaganda system that produced the fake icons of Terror and Hope within the span of a decade is a system that is bankrupt, failing, and on the verge of self-destruction.
IV. Nighttime Legends: The Stuff That Dreams Are Made Of
“The darkness drops again; but now I know
That twenty centuries of stony sleep
Were vexed to nightmare by a rocking cradle,
And what rough beast, its hour come round at last,
Slouches towards Bethlehem to be born?” – Yeats, The Second Coming.
Bin Laden is a nighttime legend. He didn’t deserve the attention that the American people and the world gave him. General Richard Myerssaid in April 2002 on CNN that, “the goal has never been to get bin Laden.” That goal didn’t suddenly change nine years later when Obama was in the White House. The fake raid was about getting Obama reelected, not taking down a ghost and bringing justice to the 9/11 victims.
A nighttime legend is less fascinating than the real truth about where, when, and how Osama died, but the truth doesn’t serve the Obama administration’s political purposes and goals.
V. Victory of The Imagination
The 9/11 story and the Bin Laden legend represent the victory of the imagination over facts and truth. Osama’s faceless and nameless assassins will be given faces and names in the propaganda film, “Zero Dark Thirty.”
It’s probably going to be a fantastic film with great explosions and a good screenplay. I can’t wait to see it. But you watch the big screen at your own peril. Don’t be hypnotized. Don’t leave your mind at the ticket counter in the theater this winter when you go to see the movie. Remember that the official story of Bin Laden’s death is fake, and tell everyone you know that it is fake.
Sadly, truth is not more powerful than imagination, and authority. But the power of truth is still great. If the American people and the people of the world are given all the facts about the mythic war on terror by figures of authority they will be psychologically able to reject the nighttime legends that have been created to justify the criminal wars in the Middle East.
Admitting that you were tricked on such a grand scale is not easy, it is a huge shot to your ego, but it is not impossible. What is impossible is killing a ghost and bringing three towers down with two planes. It is not crazy to reject the official stories about 9/11 and Osama’s death. What is crazy is to believe liars and state terrorists. Their words and propaganda films should mean absolutely nothing.
Saman Mohammadi is the writer and editor at The Excavator
This article was posted: Wednesday, June 6, 2012 at 2:53 am